Milo Moiré is an adult film artist and conceptual artist of Swiss origin, with Slovak and Spanish roots, who has become known for the art of performance in addition to erotic films, using his body and nakedness as an expression tool. During his career he created awareness-raising works such as Plopegg No. 1, which he presented at Art Cologne in 2014, where he pressed eggs full of paint out of his vagina onto canvas, thus creating an abstract work of art, which was later compared to a Rorschach test. In his performance "The Script System No. 2." He appeared naked at the Art Basel exhibition with the names of pieces of clothing painted on his body to investigate social conventions and the scripture of cognitive psychology, questioning everyday automation. In the Mirror Box project, he visited Düsseldorf, Amsterdam and London in 2016, where he hid his body with a mirror box and invited strangers to touch his breasts or genitals for 30 seconds, giving homage to Valerie's Export to Touch and Tap Cinema performance in 1968. Milo Moiré's work is often provocative, moves on the edge of art and pornography, which is deliberately engaged and inspired by artists such as Marina Abramovic or Joseph Beuys. He was arrested in Paris in 2015 because he was posed in front of the Eiffel Tower for selfies with tourists and in London for Mirror Box. He is also active in the adult film industry and offers "uncensored" videos on his website for a fee, and he was also in the film Mad Heidi (2022) and Ninja Warrior Switzerland (2018). He lives in Düsseldorf, and in social media, such as the BestFans platform, he contacts his fans with exclusive content. His work is both celebrated and controversial, many consider him an example of the freedom of artistic expression, while others, for example, critic of The Guardian, Jonathan Jones, consider his lectures stupid and desperate.